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  • The Freemasons' Monthly Magazine
  • Nov. 26, 1870
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  • " ORIGIN OF MASONRY."
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The Freemasons' Monthly Magazine, Nov. 26, 1870: Page 2

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" Origin Of Masonry."

the sixteenth century ) Masons at their meetings were merely similar to those of other trades . The opened box was generally the sign of the opened meeting , and the ceremony at the admission of new members very simple , and without any of the

symbolic system manufactured when our present system was inaugurated in 1717 However , a "book" was sometimes used before 1717 , when females were admitted as well as men , which latter circumstance shows the similarity to other gilds or sodalities .

Pages 52 and 53 , about the old monks and their works , are worthy of much further elucidation and examination , so that what is said may be reliable aud our knowledge of the works of these , in many srepectsf worthy men extended .

At page 55 , he begins to give the Germans the credit of originating the Pointed Gothic , and of carrying it to perfection ! but I am much afraid his views thereupon are , to say the least , purely imaginary , and only to be excused upon the plea that the writer is himself a German , and therefore wishes to hand over to Ids fatherland the credit

of whatever is great and good . The German Pointed Gothic Avas copied from France in the thirteenth century * Both France aud England were much ahead of Germany in that matter then , and the remains of the Pointed Gothic of either

is much superior to German . In fact instead of the Germans carrying the art to perfection , they degraded it , they were first taught the art by French workmen , in the thirteenth century , and then did the very opposite of improving upon

their masters . In the thirteenth century , the Germans forsook their own Round-arched style before they had had time to perfect it , and began a slavish copying of the new style of their French neighbours . Besides , before they had got a

proper hold of it , they lost the grand moving spirit ofthe French and English Pointed Gothic . When the German Masons got hold of the work independent of the clergy , then farewell to real progress , and then we behold nick-nacks—Chinese

pagodas for spires , & c . The following quotation , is a fair specimen of the effect produced , when our author himself allows his imagination to run away with his judgment—¦ a wished-for fiction , taking the place of fact , viz :

" Unfettered by the shackles of arbitrary foreign laws and forms , and supported by a brilliant and natural science of technics , the national fancy gave utterance to its deepest thoughts , ( vagaries ' ) for

the first time , in its own language ; and the German-Gothic-style of architecture made its appearance ! Yea verily the German Masons might be good builders , and handy steinmetzen , but they where hardly the best of Architects .

At page 61 , the author leads us to infer that the only , or at least the chief skilled artizans of the 13 th century were the " Steinmetzen or Stone-cutters of Germany , " and that they were the fathers of all the others ! but if we examine the very buildings he points toin support of his ideas , we soon perceive

his mistake . He speaks ofthe Church of St . Gereon began about 1201 and vaulted about 1227 ; but it is nearly a century behind in the employment of all those expedients , which give character and meaning to the true Pointed style . Then St .

Elizabeth , dedicated in 1283 , has all its details of good early French style . And as for Cologne , began about A . D . 1270 , ( not " 1248 , " ) what is it but a grand copy , and that a late one too , at least after many of the great French cathedrals were

finished in all essentials . And certainly the design of it it- anything but perfect ; aud not equal to what we would have expected , under similar

circumstances , from either a good French or English architect of the period . As I have stated , the French were considerably before the Germans as the dates and style of the following French cathedrals will show , viz ., Paris began 116 * 3 , and

west front finished 1214 . Chartres going on about 1200 . Rheims began in 1211 , and completed in all essentials in 1241 . Amiens began in 1220 , and completed in 1257 : So here we have all these g lorious French works executed years before

Cologne was even begun ! And yet , Bro . Steinbrenner , would have us all believe that it was the Cologne Masons who were the grand teachers par

“The Freemasons' Monthly Magazine: 1870-11-26, Page 2” Masonic Periodicals Online, Library and Museum of Freemasonry, 24 June 2025, django:8000/periodicals/mmr/issues/mmr_26111870/page/2/.
  • List
  • Grid
Title Category Page
Untitled Article 1
" ORIGIN OF MASONRY." Article 1
NOTES ON AMERICAN FREEMASONRY. Article 3
THE LANGUAGE OF ARCHITECTURE. Article 6
MASONIC JOTTINGS.—No. 46. Article 7
MASONIC NOTES AND QUERIES. Article 7
MASONIC SAYINGS AND DOINGS ABROAD. Article 8
Untitled Article 10
Untitled Article 10
GRAND LODGE. Article 11
Craft Masonry. Article 11
PROVINCIAL. Article 12
SCOTLAND. Article 14
Untitled Article 15
REVIEWS. Article 15
ADDRESS OF M.W. GRAND MASTER PRATT TO THE GRAND LODGE OF CALIFORNIA. Article 16
ADDRESS. Article 18
Poetry. Article 19
Obituary. Article 19
LIST OF LODGE MEETINGS &c., FOR WEEK ENDING DECEMBER 3RD, 1870. Article 20
METROPOLITAN LODGES AND CHAPTERS OF INSTRUCTION. Article 20
TO CORRESPONDENTS. Article 20
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

" Origin Of Masonry."

the sixteenth century ) Masons at their meetings were merely similar to those of other trades . The opened box was generally the sign of the opened meeting , and the ceremony at the admission of new members very simple , and without any of the

symbolic system manufactured when our present system was inaugurated in 1717 However , a "book" was sometimes used before 1717 , when females were admitted as well as men , which latter circumstance shows the similarity to other gilds or sodalities .

Pages 52 and 53 , about the old monks and their works , are worthy of much further elucidation and examination , so that what is said may be reliable aud our knowledge of the works of these , in many srepectsf worthy men extended .

At page 55 , he begins to give the Germans the credit of originating the Pointed Gothic , and of carrying it to perfection ! but I am much afraid his views thereupon are , to say the least , purely imaginary , and only to be excused upon the plea that the writer is himself a German , and therefore wishes to hand over to Ids fatherland the credit

of whatever is great and good . The German Pointed Gothic Avas copied from France in the thirteenth century * Both France aud England were much ahead of Germany in that matter then , and the remains of the Pointed Gothic of either

is much superior to German . In fact instead of the Germans carrying the art to perfection , they degraded it , they were first taught the art by French workmen , in the thirteenth century , and then did the very opposite of improving upon

their masters . In the thirteenth century , the Germans forsook their own Round-arched style before they had had time to perfect it , and began a slavish copying of the new style of their French neighbours . Besides , before they had got a

proper hold of it , they lost the grand moving spirit ofthe French and English Pointed Gothic . When the German Masons got hold of the work independent of the clergy , then farewell to real progress , and then we behold nick-nacks—Chinese

pagodas for spires , & c . The following quotation , is a fair specimen of the effect produced , when our author himself allows his imagination to run away with his judgment—¦ a wished-for fiction , taking the place of fact , viz :

" Unfettered by the shackles of arbitrary foreign laws and forms , and supported by a brilliant and natural science of technics , the national fancy gave utterance to its deepest thoughts , ( vagaries ' ) for

the first time , in its own language ; and the German-Gothic-style of architecture made its appearance ! Yea verily the German Masons might be good builders , and handy steinmetzen , but they where hardly the best of Architects .

At page 61 , the author leads us to infer that the only , or at least the chief skilled artizans of the 13 th century were the " Steinmetzen or Stone-cutters of Germany , " and that they were the fathers of all the others ! but if we examine the very buildings he points toin support of his ideas , we soon perceive

his mistake . He speaks ofthe Church of St . Gereon began about 1201 and vaulted about 1227 ; but it is nearly a century behind in the employment of all those expedients , which give character and meaning to the true Pointed style . Then St .

Elizabeth , dedicated in 1283 , has all its details of good early French style . And as for Cologne , began about A . D . 1270 , ( not " 1248 , " ) what is it but a grand copy , and that a late one too , at least after many of the great French cathedrals were

finished in all essentials . And certainly the design of it it- anything but perfect ; aud not equal to what we would have expected , under similar

circumstances , from either a good French or English architect of the period . As I have stated , the French were considerably before the Germans as the dates and style of the following French cathedrals will show , viz ., Paris began 116 * 3 , and

west front finished 1214 . Chartres going on about 1200 . Rheims began in 1211 , and completed in all essentials in 1241 . Amiens began in 1220 , and completed in 1257 : So here we have all these g lorious French works executed years before

Cologne was even begun ! And yet , Bro . Steinbrenner , would have us all believe that it was the Cologne Masons who were the grand teachers par

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