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  • June 17, 1865
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  • EXCAVATIONS AT OSTIA.
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The Freemasons' Monthly Magazine, June 17, 1865: Page 5

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    Article EXCAVATIONS AT OSTIA. ← Page 3 of 4 →
Page 5

Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Excavations At Ostia.

series , to the right , is the cella of the Mithraic temple , a narrow oblong , terminating on the western side in a flight of six marble steps , on the lowest of which stands a small plain stone altar , with a cavity at the summit for libations , and the legible epigraph in front , G . Ooslius Kermceros

antistes hujus loci fecit sua pee ( unia ) . At each side , apparently for communicating with the platform above the altar , are narrow corridors , lateral to the staircase , ancl now more ruinous than the other parts . On the floor are the words , inscribed in mosaicrepeated along two

borders—, , Soli Invict . Mit . DD . F .. Agr-uis Oolendis . The several other chambers adjacent to this fane , now reduced to a state of scarce-intelligible ruin , are so connected with it that one may fairly suppose them to have served for its priesthood or other purposes pertaining to its rises . At some distance from

these excavations stands the most conspicuous of the Ostian antiquities , the cella of a temple supposed ( though without reliable evidence ) to be that of Jupiter , and , at all events , one whose character muse have been imposing , ancl art decorations splendid ; its area ample ; its walls of

lateritia-1 brickwork , still lofty ancl well preserved ; though of the roof remains nothing , ancl the front has also vanished . Along the side opposite the entrance is a wide extent of massive stonework , in which we recognise the remnant of a large altar and platforms ; the rich marble pavement ( mentioned as extant several years ago , in Nibby ' s

" Conform di Eorna ) , has disajjipeared , all but an immense threshold-stone of fine African breccia ; ancl in the midst open two yawning cavities , one filled with soil , the other allowing a ghmpse into a dark subterranean . The posticum , on its outer side , is perforated with cavities at regula intervals ,

probably for the pivots by which a marble incrustation was fastened ; and on the ground-floor , below that part of the cella where stood the altar , Ave enter by an arched ingress ( lately opened ) into the outer compartment of a system of crypts , whereunder a high-hung vaultlie a profusion of

, , marble fragments , some pertaining to richly-chiseled architecture , which we can only inspect in dim light admitted from the doorway . From this chamber is communication with the inner penetralia not yet cleared out , but soon to be so , from which further continuance of the works in this

temple we may expect valuable results . Around the outer walls are portions of pavement , in very ample white marble slabs , numerous fragmentary shafts ancl cornices in the same material , the latter presenting fine examples of dental , ancl eggmoulding . Seeing the extent of area over which

these marble remnants are strewn , we may conclude they belonged to the sacred enclosure ( peribolos ) , that must have been ample in plan , and majestic in architectonic character . It is evident from the elevation of ruin-masses , that a flight of steps must have led to the entrance of the cella , whose front was hexastyle , of the

Corinthian order , as inferrible from its ; remains , and the colonade ronnd the enclosing court seems to have been of smaller shafts in the same order . Gell gives the measurement of the whole area as about 270 Eoman palms in length , by 120 in breadth . The wild solitude amidst which it stands

enhances the effect of mournful grandeur m a rum not otherwise of extraordinary character , as to either dimensions or artistic claims . The recent directing of the excavators' labours to this centre has been judicious ; but we were sorry to hear of the removal of several great marble shafts from

these interesting ruins , to " St . Peter ' s" as the custode reported , but we conclude , by mistake , — St . Paul ' s on the Ostian Way being , in all probability , the church for whose restorations they are destined . Besides the above-named , other noticeable discoveries on this site are the

substructures of a granary and another public magazine , in whose spacious area are still seen files of enormous terra-cotta amphora ? , embedded in the ground up to their necks , mostly filled with clay , instead of the oil they were probably destined for . The wide-spanning arch of a ruinous gateway ,

seaward , forms one of the conspicuous features among these relics of a vanished city , once peopled , it is said , by 30 , 000 souls , but left to decay so early as the sixth century of our era . As to the style of these Ostian ruins generally , Ave observe indications of a goodbut rarely those

, of the best , period in Eoman masonry—the opus reticulatum frequently seen , ancl quite compact ; the brickwork , in some examples , with broad layers of cement , such as characterise the period of decline .

Soon are to be commenced other works on this site among the hitherto neglected ruins of a theatre , only a single arcade of which stands in intelligible form beside other vague piles of brickwork . Out of proper regard for the health of the poor galleoiti ( condemned prisoners ) the Ostian works are

suspended from the 10 th of June till a period in the autumn . The deposit of antiques in the village contains sarcophagi , epitaphs , lamps , terra cotta ornaments of tombs , amphora ? , & c , the most valuable to be eventually transferred to Eome ' s Museums ; the most remarkable among those

objects still left here is a recumbent female figure , headless , naked clown to the waist , but for the rest draped , with a fine character of execution in the nude , and in the drapery retaining the red tint , much faded , in which the whole of that portion has been painted .

Eecently have been brought to Eome a fresco of Orpheus and Eurydice from the painted sepulchre above noticed ; and a mosaic , of a priest offering sacrifice at the flaming altar , now in the Lateran Museum . Another mosaic , covering a very large area , Avas transferred from Ostia to the

Vatican some time ago , and is now laid in the hall where Podesti is painting a great series of frescoes to illustrate the 'dogmatic proclamation of the

“The Freemasons' Monthly Magazine: 1865-06-17, Page 5” Masonic Periodicals Online, Library and Museum of Freemasonry, 1 July 2025, django:8000/periodicals/mmr/issues/mmr_17061865/page/5/.
  • List
  • Grid
Title Category Page
HISTORICAL SKETCH OF MASONIC EVENTS DURING 1864. Article 1
EXCAVATIONS AT OSTIA. Article 3
FAMOUS SEATS. Article 6
THE LATE MR. WILLIAM DENHOLM KENNEDY. Article 7
MASONIC NOTES AND QUERIES. Article 8
THE MASONIC MIRROR. Article 10
ROYAL BENEVOLENT INSTITUTION FOR AGED MASONS AND THEIR WIDOWS. Article 10
ROYAL MASONIC INSTITUTION FOR BOYS. Article 10
PROVINCIAL. Article 10
Untitled Article 10
ROYAL ARCH. Article 11
KNIGHTS TEMPLAR. Article 12
INDIA. Article 12
Untitled Article 13
PUBLIC AMUSEMENTS. Article 14
THE CRYSTAL PALACE. Article 14
NOTES ON MUSIC AND THE DRAMA. Article 15
LITERARY EXTRACTS. Article 15
Poetry. Article 16
THE PASS OF DEATH. Article 16
ADDITIONAL MASONIC VERSES TO "GOD SAVE THE QUEEN." Article 17
THE WEEK. Article 17
TO CORRESPONDENTS. Article 20
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Excavations At Ostia.

series , to the right , is the cella of the Mithraic temple , a narrow oblong , terminating on the western side in a flight of six marble steps , on the lowest of which stands a small plain stone altar , with a cavity at the summit for libations , and the legible epigraph in front , G . Ooslius Kermceros

antistes hujus loci fecit sua pee ( unia ) . At each side , apparently for communicating with the platform above the altar , are narrow corridors , lateral to the staircase , ancl now more ruinous than the other parts . On the floor are the words , inscribed in mosaicrepeated along two

borders—, , Soli Invict . Mit . DD . F .. Agr-uis Oolendis . The several other chambers adjacent to this fane , now reduced to a state of scarce-intelligible ruin , are so connected with it that one may fairly suppose them to have served for its priesthood or other purposes pertaining to its rises . At some distance from

these excavations stands the most conspicuous of the Ostian antiquities , the cella of a temple supposed ( though without reliable evidence ) to be that of Jupiter , and , at all events , one whose character muse have been imposing , ancl art decorations splendid ; its area ample ; its walls of

lateritia-1 brickwork , still lofty ancl well preserved ; though of the roof remains nothing , ancl the front has also vanished . Along the side opposite the entrance is a wide extent of massive stonework , in which we recognise the remnant of a large altar and platforms ; the rich marble pavement ( mentioned as extant several years ago , in Nibby ' s

" Conform di Eorna ) , has disajjipeared , all but an immense threshold-stone of fine African breccia ; ancl in the midst open two yawning cavities , one filled with soil , the other allowing a ghmpse into a dark subterranean . The posticum , on its outer side , is perforated with cavities at regula intervals ,

probably for the pivots by which a marble incrustation was fastened ; and on the ground-floor , below that part of the cella where stood the altar , Ave enter by an arched ingress ( lately opened ) into the outer compartment of a system of crypts , whereunder a high-hung vaultlie a profusion of

, , marble fragments , some pertaining to richly-chiseled architecture , which we can only inspect in dim light admitted from the doorway . From this chamber is communication with the inner penetralia not yet cleared out , but soon to be so , from which further continuance of the works in this

temple we may expect valuable results . Around the outer walls are portions of pavement , in very ample white marble slabs , numerous fragmentary shafts ancl cornices in the same material , the latter presenting fine examples of dental , ancl eggmoulding . Seeing the extent of area over which

these marble remnants are strewn , we may conclude they belonged to the sacred enclosure ( peribolos ) , that must have been ample in plan , and majestic in architectonic character . It is evident from the elevation of ruin-masses , that a flight of steps must have led to the entrance of the cella , whose front was hexastyle , of the

Corinthian order , as inferrible from its ; remains , and the colonade ronnd the enclosing court seems to have been of smaller shafts in the same order . Gell gives the measurement of the whole area as about 270 Eoman palms in length , by 120 in breadth . The wild solitude amidst which it stands

enhances the effect of mournful grandeur m a rum not otherwise of extraordinary character , as to either dimensions or artistic claims . The recent directing of the excavators' labours to this centre has been judicious ; but we were sorry to hear of the removal of several great marble shafts from

these interesting ruins , to " St . Peter ' s" as the custode reported , but we conclude , by mistake , — St . Paul ' s on the Ostian Way being , in all probability , the church for whose restorations they are destined . Besides the above-named , other noticeable discoveries on this site are the

substructures of a granary and another public magazine , in whose spacious area are still seen files of enormous terra-cotta amphora ? , embedded in the ground up to their necks , mostly filled with clay , instead of the oil they were probably destined for . The wide-spanning arch of a ruinous gateway ,

seaward , forms one of the conspicuous features among these relics of a vanished city , once peopled , it is said , by 30 , 000 souls , but left to decay so early as the sixth century of our era . As to the style of these Ostian ruins generally , Ave observe indications of a goodbut rarely those

, of the best , period in Eoman masonry—the opus reticulatum frequently seen , ancl quite compact ; the brickwork , in some examples , with broad layers of cement , such as characterise the period of decline .

Soon are to be commenced other works on this site among the hitherto neglected ruins of a theatre , only a single arcade of which stands in intelligible form beside other vague piles of brickwork . Out of proper regard for the health of the poor galleoiti ( condemned prisoners ) the Ostian works are

suspended from the 10 th of June till a period in the autumn . The deposit of antiques in the village contains sarcophagi , epitaphs , lamps , terra cotta ornaments of tombs , amphora ? , & c , the most valuable to be eventually transferred to Eome ' s Museums ; the most remarkable among those

objects still left here is a recumbent female figure , headless , naked clown to the waist , but for the rest draped , with a fine character of execution in the nude , and in the drapery retaining the red tint , much faded , in which the whole of that portion has been painted .

Eecently have been brought to Eome a fresco of Orpheus and Eurydice from the painted sepulchre above noticed ; and a mosaic , of a priest offering sacrifice at the flaming altar , now in the Lateran Museum . Another mosaic , covering a very large area , Avas transferred from Ostia to the

Vatican some time ago , and is now laid in the hall where Podesti is painting a great series of frescoes to illustrate the 'dogmatic proclamation of the

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