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  • May 5, 1866
  • Page 7
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The Freemasons' Monthly Magazine, May 5, 1866: Page 7

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    Article MONITA SECRETA SOCIETATIS JESU. ← Page 4 of 4
    Article THE PANTOMIME: HARLEQUINFREEMASON. Page 1 of 2 →
Page 7

Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Monita Secreta Societatis Jesu.

penitent , he should immediately inform , the rector thereof , and cultivate his acquisition to the best of his ability . 6 . But this is a point of the most vital importance , that our associates should apparently ignore entirely the benevolence of penitents and others ivith whom they communicate , and not seem to captivate their good-vill ,

but accommodate themselves altogether to the particular propensities of each individual . The provincials should take care to send many to such places as are inhabited by wealthy persons and by noblemen ; and the rectors , to enable the provincials to act more efficiently and with more foresight , should never forget to keep them properly informed of the harvest that may be expected , ¦ ( To be continued . )

The Pantomime: Harlequinfreemason.

THE PANTOMIME : HARLEQUINFREEMASON .

In No . 351 , page 225 , of the EKEEMASONS' MAGA - ZINE , we published a general account of this pantomime , performed for the first time on the 29 th Dec , 1780 , at Covent Garden Theatre . In accordance with a promise we then made to our readers , we now reproduce an account and critique of this pantomime

, published in the Homing Chronicle , December 30 th , 1780 ; and having exhumed some further data on this highly interesting performance , as well as a selection of songs that were given upon the same occasion , we hope to be enabled to lay the same before our readers in one or more future numbers of our

journal . Prom the Morning Chronicle , Dec . 30 th , 1780 . " A new pantomine , obviously prepared with great pains and at great expense , was last night performed at Covent Garden Theatre , under the title of "Harlequin Ereemason . " To ive our readers

g any tolerably intelligible idea of a representation so mixed , so incongruous , and generally so unconnected as a modern pantomime , is at all times a difficult , and frequently an impracticable attempt ; but when a pantomime is founded on Masonry , it must strike every observer that as the essence of the

entertainment is avoivedly wrapped in mystery , the difficulty must be doubled ; and that none but a brother of the Art can unfold and explain the ceremonies of the night . Without attempting to display any knoivledge ancl skill in Masonry ( for we are determined not to betray any of the- s ' ecrets of the Art ) we shall

-, pro ceed in the plainest ancl most homely language to describe the work of yesterday ei'ening , pet-formed in the Grand Lodge of Covent Garden . " The opening scene of this entertainment is conformable to the opinions held by all Freemasons , ' that tbe original of Architecture is taken from that

great building , Man . ' Agreeable to this idea , three Masons are discovered at work ; one , a figure representing a man , composed of the different orders of architecture , as

The Head ot the ... Composite . Arms ... Coriuthiau . Body ... Ionic . Thighs ... Doric . Legs ... Tuscan . " On the Masonic signal for leaving work , they depart ; when the shade of Hiram Abift . Grand "Warden to King Solomon , and his assistant in

building his temple , rises , and from the stone figure produces a harlequin , instructs him in the use of tools , and endues a troivel with magic power , which , like the customary sivord , is to assist him in all his difficulties . Hiram Abiff , after this feeremony , leaves him . Harlequin's first sight of Columbine , who is

the daughter of a Jew , is with her father , while he is surveying a house , which he is about to have built , just rising from the foundation . Harlequin and Columbine , as usual , are reciprocally enamoured at sight , and the first proof he makes of the virtue of bis travel ( trowel ?) is by shoiviug the building completely at a

touch . In the general astonishment at this miracle , Harlequin finds means to steal Columbine from her father ; who recovers her , hoivever , soon after , and introduces her to a Dutch lover , whom he wishes her marry . Various amusing incidents arise among the common characters . The exertion of Harlequin ' s

trowel is amidst a group of peasants at the Alps , by raising the Temple of Bacchus , and the next by a representation of the wooden building in Covent Garden , where the aloe was shewn . Many more adventures are introduced and changes of the scenery , particularly a frost scene in Holland , with skaters , to

a tumultous sea ; a court of justice to the market at Billingsgate ; and the whole interspersed with occasional airs , catches , and choruses ; untill Hiram Abiff again appears and obtains the Jeiv ' s consent to the marriage of Harlequin and his daughter . This point settled , he signifies the necessity of his attendance at a Grand Lodgeit being the anniversary

, feast to install a UBAV Grand Master oftlie ancient and nolle Order of Free and Accepted Masons . This naturally introduces the procession , wherein , by a regular succession of the principal Grand Masters , from Enoch to the present time , the antiquity , advancement , and dignity of Masonry are illustrated in a

pleasing and instructive manner . " Besides the introduction of the capital characters , an explanation whereof , together with that of their respective pageants , is very properly subjoined to the printed songs , —the whole is embellished with some striking historical events in the rei of our own

gn kings , particularly Edward III . and his son the Black Prince , releasing John , king of Prance , and his son , who were made captives in the battle of Cressy . Queen Elizabeth taking the Masons under her protection . Guy Eaux ' s intended conspiracy discoi'ered . Sir Eobert Kner ' s whimsical address to Charles II .

at the Guildhall , and the humiliated Dutch imploring him to grant them peace . The pantomime part of this entertainment is light and rather thinner of business than usual . The story , it must be confessed , ( exclusive of the ultimate disposal of harlequin and columbine , which is left to the

audience by imagination to supply ) is more intelligible than in many preceding pantomimes , but its effect would be more pleasant if it afforded greater food for laughter . Columbine's father , as above mentioned , appears as a Jew , the clown as an aivkward Launcelotand the lover as a Dutchmanivho

, , are wonderfully turned into laughter by the force of pantomimic skill , by which alone , perhaps , humour and merriment could be extracted from characters naturally so very grave aud gloomy . The scenery is admirable , and does infinite credit to Messrs . Eichards , Carver , H J dgins , and Trench . The

“The Freemasons' Monthly Magazine: 1866-05-05, Page 7” Masonic Periodicals Online, Library and Museum of Freemasonry, 23 May 2025, django:8000/periodicals/mmr/issues/mmr_05051866/page/7/.
  • List
  • Grid
Title Category Page
LODGE OFFICERS, THEIR POWERS AND DUTIES. Article 1
FREEMASONRY IN FRANCE. Article 3
THE DOCTRINES OF JESUITISM. Article 4
MONITA SECRETA SOCIETATIS JESU. Article 4
THE PANTOMIME: HARLEQUINFREEMASON. Article 7
MASONIC NOTES AND QUERIES. Article 8
CORRESPONDENCE. Article 9
METROPOLITAN CHAPTER OF INSTRUCTION. Article 10
BRO. STEPHEN BARTON WILSON. Article 10
THE MASONIC MIRROR. Article 11
MASONIC MEMS. Article 11
METROPOLITAN. Article 11
PROVINCIAL. Article 14
PROVINCIAL. Article 16
Untitled Article 18
ROYAL ARCH. Article 18
KNIGHTS TEMPLAR Article 18
CHANNEL ISLANDS. Article 19
MEETINGS OF THE SCIENTIFIC AND LEARNED SOCIETIES FOR THE WEEK ENDING MAT 12TH, 1866. Article 20
THE WEEK. Article 20
TO CORRESPONDENTS. Article 22
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Monita Secreta Societatis Jesu.

penitent , he should immediately inform , the rector thereof , and cultivate his acquisition to the best of his ability . 6 . But this is a point of the most vital importance , that our associates should apparently ignore entirely the benevolence of penitents and others ivith whom they communicate , and not seem to captivate their good-vill ,

but accommodate themselves altogether to the particular propensities of each individual . The provincials should take care to send many to such places as are inhabited by wealthy persons and by noblemen ; and the rectors , to enable the provincials to act more efficiently and with more foresight , should never forget to keep them properly informed of the harvest that may be expected , ¦ ( To be continued . )

The Pantomime: Harlequinfreemason.

THE PANTOMIME : HARLEQUINFREEMASON .

In No . 351 , page 225 , of the EKEEMASONS' MAGA - ZINE , we published a general account of this pantomime , performed for the first time on the 29 th Dec , 1780 , at Covent Garden Theatre . In accordance with a promise we then made to our readers , we now reproduce an account and critique of this pantomime

, published in the Homing Chronicle , December 30 th , 1780 ; and having exhumed some further data on this highly interesting performance , as well as a selection of songs that were given upon the same occasion , we hope to be enabled to lay the same before our readers in one or more future numbers of our

journal . Prom the Morning Chronicle , Dec . 30 th , 1780 . " A new pantomine , obviously prepared with great pains and at great expense , was last night performed at Covent Garden Theatre , under the title of "Harlequin Ereemason . " To ive our readers

g any tolerably intelligible idea of a representation so mixed , so incongruous , and generally so unconnected as a modern pantomime , is at all times a difficult , and frequently an impracticable attempt ; but when a pantomime is founded on Masonry , it must strike every observer that as the essence of the

entertainment is avoivedly wrapped in mystery , the difficulty must be doubled ; and that none but a brother of the Art can unfold and explain the ceremonies of the night . Without attempting to display any knoivledge ancl skill in Masonry ( for we are determined not to betray any of the- s ' ecrets of the Art ) we shall

-, pro ceed in the plainest ancl most homely language to describe the work of yesterday ei'ening , pet-formed in the Grand Lodge of Covent Garden . " The opening scene of this entertainment is conformable to the opinions held by all Freemasons , ' that tbe original of Architecture is taken from that

great building , Man . ' Agreeable to this idea , three Masons are discovered at work ; one , a figure representing a man , composed of the different orders of architecture , as

The Head ot the ... Composite . Arms ... Coriuthiau . Body ... Ionic . Thighs ... Doric . Legs ... Tuscan . " On the Masonic signal for leaving work , they depart ; when the shade of Hiram Abift . Grand "Warden to King Solomon , and his assistant in

building his temple , rises , and from the stone figure produces a harlequin , instructs him in the use of tools , and endues a troivel with magic power , which , like the customary sivord , is to assist him in all his difficulties . Hiram Abiff , after this feeremony , leaves him . Harlequin's first sight of Columbine , who is

the daughter of a Jew , is with her father , while he is surveying a house , which he is about to have built , just rising from the foundation . Harlequin and Columbine , as usual , are reciprocally enamoured at sight , and the first proof he makes of the virtue of bis travel ( trowel ?) is by shoiviug the building completely at a

touch . In the general astonishment at this miracle , Harlequin finds means to steal Columbine from her father ; who recovers her , hoivever , soon after , and introduces her to a Dutch lover , whom he wishes her marry . Various amusing incidents arise among the common characters . The exertion of Harlequin ' s

trowel is amidst a group of peasants at the Alps , by raising the Temple of Bacchus , and the next by a representation of the wooden building in Covent Garden , where the aloe was shewn . Many more adventures are introduced and changes of the scenery , particularly a frost scene in Holland , with skaters , to

a tumultous sea ; a court of justice to the market at Billingsgate ; and the whole interspersed with occasional airs , catches , and choruses ; untill Hiram Abiff again appears and obtains the Jeiv ' s consent to the marriage of Harlequin and his daughter . This point settled , he signifies the necessity of his attendance at a Grand Lodgeit being the anniversary

, feast to install a UBAV Grand Master oftlie ancient and nolle Order of Free and Accepted Masons . This naturally introduces the procession , wherein , by a regular succession of the principal Grand Masters , from Enoch to the present time , the antiquity , advancement , and dignity of Masonry are illustrated in a

pleasing and instructive manner . " Besides the introduction of the capital characters , an explanation whereof , together with that of their respective pageants , is very properly subjoined to the printed songs , —the whole is embellished with some striking historical events in the rei of our own

gn kings , particularly Edward III . and his son the Black Prince , releasing John , king of Prance , and his son , who were made captives in the battle of Cressy . Queen Elizabeth taking the Masons under her protection . Guy Eaux ' s intended conspiracy discoi'ered . Sir Eobert Kner ' s whimsical address to Charles II .

at the Guildhall , and the humiliated Dutch imploring him to grant them peace . The pantomime part of this entertainment is light and rather thinner of business than usual . The story , it must be confessed , ( exclusive of the ultimate disposal of harlequin and columbine , which is left to the

audience by imagination to supply ) is more intelligible than in many preceding pantomimes , but its effect would be more pleasant if it afforded greater food for laughter . Columbine's father , as above mentioned , appears as a Jew , the clown as an aivkward Launcelotand the lover as a Dutchmanivho

, , are wonderfully turned into laughter by the force of pantomimic skill , by which alone , perhaps , humour and merriment could be extracted from characters naturally so very grave aud gloomy . The scenery is admirable , and does infinite credit to Messrs . Eichards , Carver , H J dgins , and Trench . The

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