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  • Nov. 1, 1855
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    Article FORMS, CEREMONIES, AND SYMBOLS Page 1 of 5 →
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Forms, Ceremonies, And Symbols

POEMS , CEEEMONIES , AND SYMBOLS-

Thebe is a great deal of idle , ignorant cant at the present time , in regard to forms and ceremonies . They are often spoken of as absurd and peurile , as relics of a dark age , and as unworthy of the advanced condition of civilization and intelligence ; but it is rather

a remarkable circumstance that with the abolition of many conventional forms , a new zeal in the cultivation of the history and objects of symbolism , in some of its higher departments , has arisen amongst men of taste and erudition . The subject is one in which our Masonic Brotherhood cannot but be interested .

We propose to offer a few remarks on the necessity and utility of these outward forms and signs , and to show wherein they may and may not be safely dispensed with . That forms and ceremonies are to a certain extent necessary , none will deny . As social and intelligent beings , we require some medium

for the intercommunication of ideas . Language is but a symbol of thought , and we might as well admit the truth of the celebrated

sarcasm , that " language was given to man to conceal thought , " as admit , which some maintain , that forms and ceremonies are mere substitutes for the actual respect , homage , or esteem , which they embody or represent . Indeed , they are as necessary to our social wants as language itself ; for words convey ideas and emotions but imperfectly . "Wh y do writers underscore certain words , or have them

printed in italics or capitals , with added notes of admiration ; but that they feel that language alone is deficient in emphasis and point , and incapable of conveying the tone and action , and full meaning of an impassioned speaker ? "Whence arises the dramatic interest of the stage , but from this imperfection of language ? Else we might read Shakspeare with equal interest at home . The very attire of individuals , not only on the stage , bat in society , has an utterance ; it compels us to form some judgment as to their character . The TOL . I . 4 O

“The Freemasons' Monthly Magazine: 1855-11-01, Page 1” Masonic Periodicals Online, Library and Museum of Freemasonry, 30 June 2025, django:8000/periodicals/mmr/issues/mmr_01111855/page/1/.
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Title Category Page
FREEMASONRY IN FRANCE IN THE EIGHTEENTH CENTURY. Article 9
CHINA Article 61
PROVINCIAL LODGES AND CHAPTERS; Article 62
Obituary Article 63
THE SIGNS OF ENGLAND. Article 6
NOTICE. Article 64
TO CORRESPONDENTS. Article 64
NOTES ON ANTIQUARIAN RESEARCH. Article 12
VOICES FROM DEAD NATIONS. BY KENNETH R. H. MACKENZIE, F.S.A., Ph.D. Article 18
FORMS, CEREMONIES, AND SYMBOLS Article 1
TRAVELS BY A FREEMASON Article 24
THE ANCIENT AND ACCEPTED RITE Article 52
COLONIAL. Article 54
FRANCE. Article 55
MASONIC SONGS.-No. 4 Article 28
COLOURED LODGES IN AMERICA. Article 29
REVIEWS OF NEW BOOKS. Article 32
GERMANY. Article 57
PAST PLEASURE. Article 56
INDIA. Article 58
MUSIC. Article 32
CORRESPONDENCE Article 33
NOTES AND QUERIES Article 36
MASONIC INTELLIGENCE Article 38
ROYAL MASONIC INSTITUTION FOR BOYS. Article 38
METROPOLITAN. Article 40
THE TAVERN. Article 39
PROVINCIAL Article 41
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Forms, Ceremonies, And Symbols

POEMS , CEEEMONIES , AND SYMBOLS-

Thebe is a great deal of idle , ignorant cant at the present time , in regard to forms and ceremonies . They are often spoken of as absurd and peurile , as relics of a dark age , and as unworthy of the advanced condition of civilization and intelligence ; but it is rather

a remarkable circumstance that with the abolition of many conventional forms , a new zeal in the cultivation of the history and objects of symbolism , in some of its higher departments , has arisen amongst men of taste and erudition . The subject is one in which our Masonic Brotherhood cannot but be interested .

We propose to offer a few remarks on the necessity and utility of these outward forms and signs , and to show wherein they may and may not be safely dispensed with . That forms and ceremonies are to a certain extent necessary , none will deny . As social and intelligent beings , we require some medium

for the intercommunication of ideas . Language is but a symbol of thought , and we might as well admit the truth of the celebrated

sarcasm , that " language was given to man to conceal thought , " as admit , which some maintain , that forms and ceremonies are mere substitutes for the actual respect , homage , or esteem , which they embody or represent . Indeed , they are as necessary to our social wants as language itself ; for words convey ideas and emotions but imperfectly . "Wh y do writers underscore certain words , or have them

printed in italics or capitals , with added notes of admiration ; but that they feel that language alone is deficient in emphasis and point , and incapable of conveying the tone and action , and full meaning of an impassioned speaker ? "Whence arises the dramatic interest of the stage , but from this imperfection of language ? Else we might read Shakspeare with equal interest at home . The very attire of individuals , not only on the stage , bat in society , has an utterance ; it compels us to form some judgment as to their character . The TOL . I . 4 O

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