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  • March 1, 1876
  • Page 47
  • THE MEANING AND DERIVATION OF SYMBOL.
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The Masonic Magazine, March 1, 1876: Page 47

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    Article THE ORIGIN AND REFERENCES OF THE HERMESIAN SPURIOUS FREEMASONRY. ← Page 3 of 3
    Article THE ORIGIN AND REFERENCES OF THE HERMESIAN SPURIOUS FREEMASONRY. Page 3 of 3
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Page 47

Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

The Origin And References Of The Hermesian Spurious Freemasonry.

intended as a geomantic tablet , the invention of which is ascribed to Hermes . If so , it was an instrument of divination , ancl probably occupied the place of the TJrim and Thummim amongst the Jews . It was painted white , to represent knowledge ; for

ignorance was symbolised by darkness ancl the colour of black . " White , " says M . Portal , * " being the symbol of absolute truth , black should be that of error , of an assertion of that which is not . God alone possesses self-existence . The world is an

emanation from Him . White reflects all luminous rays . Black is the negation of light , and was attributed to the author of evil and falsehood . Genesis ancl the cosmogonies mention the antagonism of light and darkness . The form of this fable varies

according to each nation , but the foundation is everywhere the same . The creation of the world presents a picture of regeneration and initiation . The word < f > v \ o , said to have been inscribed on this tablet , does not appear in any copy of the anaglyph that I have seen

unless , indeed , it is expressed hieroglyphically ; and this may be the case because it is said to have been written in the Egyptian language . Now Champollion asserts that there was " a diversity of the dialects spoken in the UpperMiddle and Lower

, Egypt , aud a different mode of pronouncing the words in each of these departments ; but , by allowing one hieroglyphic to stand for two consonants , the difference existing in these dialects will disappear as in

writing . " Each people , in fact , would consider this hieroglyphic as the sign of the consonant they used , and express it accordingly . The letter H ( P ) for instance , of the dialect of Thebes , was changed into F , or cb ( Phi ) , in the dialect of Memphis ; and in the

table exhibited by Champollion , we find that one ancl the same bieroglyphical character expressed both these consonants , the P and the F , and sometimes the V . According to this bieroglyphical alphabet we may find the letters which form the

above word , by using a ' little latitude of construction . Thus the square tablet was the phonetic sign of < f > , its handle stood for K the circle ancl point for v , ancl the circle and line for o . It bad a meaning similar to the Greek word < j > ikia , and intimated that the whole frame of the universe is

The Origin And References Of The Hermesian Spurious Freemasonry.

cemented by magnetic love , that invisible harmony which unites together its discordant and estranged parts .

Sonnet.

SONNET .

0 Cynthia , queen of night , whose double sway To nights and tides doth equal influence lend , And wand ' ring streams , ancl me no less , befriend

With light , as on our lated paths we stray ; As ' neath the splendour of thy full-orb'd ray , I homeward from my monthly lodge do bend My silent steps , I hear a loud noise

rend Night ' s startled ear , and mine , with hideous bay . 'Tis but a cur ; aud yet with jaws distent , I see him , howling , mock thy lofty beam ,

Whose calm , regardless , silent-scorning gleam Deigns not his idle railing to resent . So ultramontanes , like this baying whelp , Now ' gainst our Craft ' s pure light , unheeded , yelp . Bro . REV . M . GORDON .

The Meaning And Derivation Of Symbol.

THE MEANING AND DERIVATION OF SYMBOL .

ALTHOUGH a great deal has been written , time and again , on the symbolism of Masonry , yet very few have the remotest idea of the derivation of the word " symbol , " or of the nature and meaning of the term .

The word " symbol" is composed of two Greek ones , sum-ballqui , which , taken in their literal sense , mean the placing or casting together of two things in juxtaposition , for the sake of contrast . This , as a natural consequence , brings our reasoning

faculties into activity , for the purpose of identifying and individualizing one of , thesetwo objects thus collated by the other , whence , in the onward process of our reasoning powers , the idea of representation only , pure and simple , follows ; but especially of those hidden or occult things , by those more familiar ; of ideas , by sensi-

“The Masonic Magazine: 1876-03-01, Page 47” Masonic Periodicals Online, Library and Museum of Freemasonry, 23 May 2025, django:8000/periodicals/mmg/issues/mmg_01031876/page/47/.
  • List
  • Grid
Title Category Page
Monthly Masonic Summary. Article 1
THE INSTALLATION OF H.R.H. PRINCE LEOPOLD AS P.G.M OF OXFORDSHIRE. Article 1
THE SECOND MINUTE BOOK OF THE LODGE OF INDUSTRY, GATESHEAD. Article 4
TREED BY A TIGER. Article 5
DOES THE EARTH RECEIVE HEAT FROM THE SUN? Article 7
WHAT HAPPENED AT A CHRISTMAS GATHERING. Article 10
THE ARMAGH BELLS. Article 13
GODFREY HIGGINS ON FREEMASONRY. Article 13
THE ALBERT CHAPEL AT WINDSOR.* Article 17
SHALL MASONRY BE? Article 18
TO MY OLD APRON. Article 21
1876. PAST, PRESENT, AND FUTURE. Article 22
THE WOMEN OF OUR TIME. Article 23
FREEMASONRY IN PERU. Article 25
AN INTERESTING EVENT. Article 26
A FUNERAL LODGE. Article 27
CONTEMPORARY LETTERS ON THE FRENCH REVOLUTION. Article 30
SONNET. Article 34
THE SITE OF SOLOMON'S TEMPLE DISCOVERED. Article 35
SONNET. Article 39
NOTES ON LITERATURE, SCIENCE AND ART. Article 40
THE ORIGIN AND REFERENCES OF THE HERMESIAN SPURIOUS FREEMASONRY. Article 45
SONNET. Article 47
THE MEANING AND DERIVATION OF SYMBOL. Article 47
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

The Origin And References Of The Hermesian Spurious Freemasonry.

intended as a geomantic tablet , the invention of which is ascribed to Hermes . If so , it was an instrument of divination , ancl probably occupied the place of the TJrim and Thummim amongst the Jews . It was painted white , to represent knowledge ; for

ignorance was symbolised by darkness ancl the colour of black . " White , " says M . Portal , * " being the symbol of absolute truth , black should be that of error , of an assertion of that which is not . God alone possesses self-existence . The world is an

emanation from Him . White reflects all luminous rays . Black is the negation of light , and was attributed to the author of evil and falsehood . Genesis ancl the cosmogonies mention the antagonism of light and darkness . The form of this fable varies

according to each nation , but the foundation is everywhere the same . The creation of the world presents a picture of regeneration and initiation . The word < f > v \ o , said to have been inscribed on this tablet , does not appear in any copy of the anaglyph that I have seen

unless , indeed , it is expressed hieroglyphically ; and this may be the case because it is said to have been written in the Egyptian language . Now Champollion asserts that there was " a diversity of the dialects spoken in the UpperMiddle and Lower

, Egypt , aud a different mode of pronouncing the words in each of these departments ; but , by allowing one hieroglyphic to stand for two consonants , the difference existing in these dialects will disappear as in

writing . " Each people , in fact , would consider this hieroglyphic as the sign of the consonant they used , and express it accordingly . The letter H ( P ) for instance , of the dialect of Thebes , was changed into F , or cb ( Phi ) , in the dialect of Memphis ; and in the

table exhibited by Champollion , we find that one ancl the same bieroglyphical character expressed both these consonants , the P and the F , and sometimes the V . According to this bieroglyphical alphabet we may find the letters which form the

above word , by using a ' little latitude of construction . Thus the square tablet was the phonetic sign of < f > , its handle stood for K the circle ancl point for v , ancl the circle and line for o . It bad a meaning similar to the Greek word < j > ikia , and intimated that the whole frame of the universe is

The Origin And References Of The Hermesian Spurious Freemasonry.

cemented by magnetic love , that invisible harmony which unites together its discordant and estranged parts .

Sonnet.

SONNET .

0 Cynthia , queen of night , whose double sway To nights and tides doth equal influence lend , And wand ' ring streams , ancl me no less , befriend

With light , as on our lated paths we stray ; As ' neath the splendour of thy full-orb'd ray , I homeward from my monthly lodge do bend My silent steps , I hear a loud noise

rend Night ' s startled ear , and mine , with hideous bay . 'Tis but a cur ; aud yet with jaws distent , I see him , howling , mock thy lofty beam ,

Whose calm , regardless , silent-scorning gleam Deigns not his idle railing to resent . So ultramontanes , like this baying whelp , Now ' gainst our Craft ' s pure light , unheeded , yelp . Bro . REV . M . GORDON .

The Meaning And Derivation Of Symbol.

THE MEANING AND DERIVATION OF SYMBOL .

ALTHOUGH a great deal has been written , time and again , on the symbolism of Masonry , yet very few have the remotest idea of the derivation of the word " symbol , " or of the nature and meaning of the term .

The word " symbol" is composed of two Greek ones , sum-ballqui , which , taken in their literal sense , mean the placing or casting together of two things in juxtaposition , for the sake of contrast . This , as a natural consequence , brings our reasoning

faculties into activity , for the purpose of identifying and individualizing one of , thesetwo objects thus collated by the other , whence , in the onward process of our reasoning powers , the idea of representation only , pure and simple , follows ; but especially of those hidden or occult things , by those more familiar ; of ideas , by sensi-

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