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  • The Freemason's Chronicle
  • Feb. 27, 1886
  • Page 6
  • THE FESTIVAL.
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The Freemason's Chronicle, Feb. 27, 1886: Page 6

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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

The Festival.

amounts of money poured out continually in procuring the erection of buildings , or paying extravagant rents , and in the purchase of goods and trappings which are made to sell . In how few instances can a Lodge Committee find

in Masonic structures any examples of the stately and beautiful forms and composition of parts and ornaments , which should distinguish tho work of a Fraternity whose principal art is the noblest of all , architecture ? Where is

anything truly Masonic iu design or execution to be found in or about a Masonic Lodgo ? What of the fixtures or furnishings of the rooms or their approaches ? What can be seen on the persons of Officers or members , or

borne in the procession of a Lodge or Grand Lodge , even on the most important occasions , which would show that Masons as a body care aught for ancient Masonic usages , or the memory of Masonic achievements of any

description ? It is . not meant by this that they do not care for decency of appearance as a body of citizens , or for personal attire , but that they show little or no regard for that

which is Masonic ; a disregard which has gone on until a majority of Masons do not even know what were the usages fifty years ago .

Many are warmly in favour of display ; but , labouring under the impression that the "Blue Lodge , " as they term it , is destitute of materials and modes of embellishment , and has nothing to . offer in the way of appearances , they

regard every protest against the increase of tinsel and shabby makeshifts as though it were a fulmination against orderly decoration and tasteful art , and in favour of bare benches , sawdust floors , tallow-dip candles and greasy

aprons ; and feel aggrieved that any one should try to rob the Lodge of the lew novelties for which it has spent perhaps its last dollar . Indignation naturally sets in with more or less violence and the Craft are called upon to stand up for their rights .

How has it been during the last twenty-five years or so in this respect ? Indeed , long before that , " the lambskin , the badge of a Mason , " had given p lace to a p iece of white sheepskin leather , of the size and somewhat in the shape of

a Masonic apron ; and that to a flap of white cotton called by way of euphemism " a white linen apron ; " and that to keep up the degeneration , has finally come to be worn , not

over the dress , where ib belongs , but tucked in under the coat to represent tbe latter clause of a cheap shirt , instead of the " badge more ancient than the golden fleece , " & c .

The three principal stations of the Lodge having been deprived of their characteristic form , can no longer be distinguished from those introduced in modern societies , and have lost their place in such a way that no Masonic

circumambulation can be performed , except such as takes place within the Lodge ( not Lodge room ) , as at installation ; . •nid the two great pillars are represented by a couple of broom-1 andle effigies , the mockery of all architecture .

Because there was nothing else left to throw away , the distinctive and symbolic sash , without which no Mason , even as late as thirty years ago , thought of going into a

procession , has been cast aside ; together with the emblematic banners borne on two flagstaves , which emblazoned the march ; and so on with everything else which b . lomred to the occasion .

I \ uw , as one after another , the insignia of the Craft have been thrown entirel y aside , or have given place to some mean substitute , invented and furnished by the ever prcicut dealer in " hand-me-down " regalia , until nothing

was left but the collars , which of course had a special signification , and were very important in preserving the knowledge of the celestial forms of the Lodge and its floors ; a drummer has come round with a miserable novelty

and palmed it on to the Lodges as a subtitute—a " modern improvement " - — consisting of a blue string with a lot of the common emblems , miniatures of things alread y iu the Lodgo , and huddled together without an atom of sense ;

and iu sne . h a way interested outsiders have come to be the designers and fabricators of the ever-changing toggery which is putting out of sight and out of mind the unique and significant appliances and adornments of the Craft .

As to the mosaic floor itself , with vs visible representatives and all the lore connected with it , by which its peculiar form and complication of parts were made to show

knowledge of celestial and terrestrial order involved in the construction of the Symbolic Lodge ( not the Lodge mom ) ; there is nothing left of it but the caricature of its surface , still found on the Master ' s carpet . While these things are so , it is no wonder that some or many should be dissatisfied with the actual appearance of

The Festival.

things in and about the Lodge , contrasted with the glowing picture of the greatness and splendour of the Institution set forth in our oratory and wherever mere " talk" is all that is supposed to be necessary . And considering everything ,

it is not strange that three different notions as to propriety should be entertained . First , that mole-eyed view which discerns no difference betwoen simplicity and shabby meanness , between elegance and finery , and prefers the latter ,

that is , coarse , ill-adapted and slovenly surroundings and modes . Second , that which sees nothing as ornamental and beautiful except redundancy and flash and novelty , aud being coupled with a desire for something more lively than

squalor and scantiness and discomfort , wishes to enjoy a raree show at tho least expenso for the timo being . In neither of these cases is any account taken of what is

worthy and valuable or what is appropriate and becoming in such an Institution as Ancient Craft Masonry . The third view is that of those who esteem the dignity and honour of the Masonic Institution and of its noble

Fraternity throughout the world , as demanding more because entitled to more consideration on the part of those who are admitted to enjoy its rights , li ghts and benefits , than can possibly be the case in any other fellowship ; and hence

desire to maintain intact the high estate of dignity , simplicity , elegance and beauty of the entire Masonic system , internal and external ; and so to manifest this in every way

as to testify their appreciation of its excellence . Which of these views should prevail let all worthy Masons judge , and act accordingly .

Notwithstanding the discouraging aspect of much which appears in the neglect and indifference of Lodges and members , and the constaut lapse from former Masonic ideas and conduct , and the loss of Masonic lore so much to

be deplored , there is one great source of encouragement continually growing and strengthening . This is , that every voice and utterance put forth , come from whom it may or from which side in any controversy , joins with all

others in concluding on the same urgent appeal to the Craft to maintain in every way , and by all means attainable , as the supreme object and end of Masonry , those sublime virtues , truth and uprightness , and more than all ,

the God-born principle of charity in all its forms , and especially in that most angelic , which is the keystone of the Masonic arch and the key of heaven . Nor are these vain and empt y utterances , for the works of the Craft in

all its organisations nnd rites exhibit to-day more efficient and wide-spread efforts , organised and unorganised , in furthering every scheme of benevolence and mercy , and show more liberality and generosity than ever before .

With such a motive power all things are possible , and we can well hope that advancement in the attainment of great ends will impel a movement towards securing those next in importance , and so the work of the Craft be crowned with glory as well as honour . — Voice of Masonry .

The Secretary's Minutes.

THE SECRETARY'S MINUTES .

fllHE Secretary of a Lodge is a high and important A Officer—for some purposes the most important in the Lodge . Although nominally the servant of the Lodge , he is often its master . Although the W . M . is supreme , and the

Secretary is the scribe , the latter not infrequentl y coutrols the action of tbe former . If the Master ho the mind , tho Secretary is the hand that wields the pen , which is the index of the mind . Frequently the Secretary is a Past

Master , and he should always be so . The duties of his office are so responsible that he requires all the knowledge which experience in the Master ' s chair can give . He cannot know too much , or be too expert . What tho Lodgo

is , depends to a considerable degree upon his action ; whether tbe Lodge shall be praised or blamed by the Grand Master , when he comes to make a Grand Visitation to tho Lodge , is determined very much by his adherence to the

usages and customs of tho Craft in engrossing the Minutes , aud in formulating tho action on various matters coming officially before tho Lodge . The most experienced and skilful Brother in the Lodge , who will accept the office , i 3 the one who should be elected Secretary .

We wish we had the considerate attention of every Secretary iu this jurisdiction , and in all jurisdictions , to the present article—not that we can say anything especially new with regard to their duties , but because wc believe wc can say much that is

“The Freemason's Chronicle: 1886-02-27, Page 6” Masonic Periodicals Online, Library and Museum of Freemasonry, 17 Aug. 2025, django:8000/periodicals/fcn/issues/fcn_27021886/page/6/.
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Title Category Page
THE ROYAL MASONIC BENEVOLENT INSTITUTION. Article 1
THE FESTIVAL. Article 2
MASONIC DIGNITY. Article 5
THE SECRETARY'S MINUTES. Article 6
THIRD "AMMONIAPHONE" CONCERT. Article 7
Untitled Article 7
Untitled Ad 7
Untitled Ad 7
Untitled Ad 8
Untitled Ad 8
Untitled Ad 8
Untitled Ad 8
Untitled Ad 8
Untitled Ad 8
Untitled Ad 8
Untitled Article 8
QUARTERLY COMMUNICATION OF UNITED GRAND LODGE. Article 8
INSTALLATION MEETINGS, &c. Article 9
BURGOYNE LODGE, No. 902. Article 10
GREY FRIARS LODGE, No. 1101. Article 11
PORTSMOUTH TEMPERANCE LODGE, No. 2068. Article 11
Untitled Ad 11
Untitled Ad 11
DIARY FOR THE WEEK. Article 12
Untitled Ad 13
Untitled Ad 14
Untitled Ad 14
THE THEATRES, AMUSEMENTS, &c Article 14
Untitled Ad 14
Untitled Ad 14
Untitled Ad 15
Untitled Ad 15
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

The Festival.

amounts of money poured out continually in procuring the erection of buildings , or paying extravagant rents , and in the purchase of goods and trappings which are made to sell . In how few instances can a Lodge Committee find

in Masonic structures any examples of the stately and beautiful forms and composition of parts and ornaments , which should distinguish tho work of a Fraternity whose principal art is the noblest of all , architecture ? Where is

anything truly Masonic iu design or execution to be found in or about a Masonic Lodgo ? What of the fixtures or furnishings of the rooms or their approaches ? What can be seen on the persons of Officers or members , or

borne in the procession of a Lodge or Grand Lodge , even on the most important occasions , which would show that Masons as a body care aught for ancient Masonic usages , or the memory of Masonic achievements of any

description ? It is . not meant by this that they do not care for decency of appearance as a body of citizens , or for personal attire , but that they show little or no regard for that

which is Masonic ; a disregard which has gone on until a majority of Masons do not even know what were the usages fifty years ago .

Many are warmly in favour of display ; but , labouring under the impression that the "Blue Lodge , " as they term it , is destitute of materials and modes of embellishment , and has nothing to . offer in the way of appearances , they

regard every protest against the increase of tinsel and shabby makeshifts as though it were a fulmination against orderly decoration and tasteful art , and in favour of bare benches , sawdust floors , tallow-dip candles and greasy

aprons ; and feel aggrieved that any one should try to rob the Lodge of the lew novelties for which it has spent perhaps its last dollar . Indignation naturally sets in with more or less violence and the Craft are called upon to stand up for their rights .

How has it been during the last twenty-five years or so in this respect ? Indeed , long before that , " the lambskin , the badge of a Mason , " had given p lace to a p iece of white sheepskin leather , of the size and somewhat in the shape of

a Masonic apron ; and that to a flap of white cotton called by way of euphemism " a white linen apron ; " and that to keep up the degeneration , has finally come to be worn , not

over the dress , where ib belongs , but tucked in under the coat to represent tbe latter clause of a cheap shirt , instead of the " badge more ancient than the golden fleece , " & c .

The three principal stations of the Lodge having been deprived of their characteristic form , can no longer be distinguished from those introduced in modern societies , and have lost their place in such a way that no Masonic

circumambulation can be performed , except such as takes place within the Lodge ( not Lodge room ) , as at installation ; . •nid the two great pillars are represented by a couple of broom-1 andle effigies , the mockery of all architecture .

Because there was nothing else left to throw away , the distinctive and symbolic sash , without which no Mason , even as late as thirty years ago , thought of going into a

procession , has been cast aside ; together with the emblematic banners borne on two flagstaves , which emblazoned the march ; and so on with everything else which b . lomred to the occasion .

I \ uw , as one after another , the insignia of the Craft have been thrown entirel y aside , or have given place to some mean substitute , invented and furnished by the ever prcicut dealer in " hand-me-down " regalia , until nothing

was left but the collars , which of course had a special signification , and were very important in preserving the knowledge of the celestial forms of the Lodge and its floors ; a drummer has come round with a miserable novelty

and palmed it on to the Lodges as a subtitute—a " modern improvement " - — consisting of a blue string with a lot of the common emblems , miniatures of things alread y iu the Lodgo , and huddled together without an atom of sense ;

and iu sne . h a way interested outsiders have come to be the designers and fabricators of the ever-changing toggery which is putting out of sight and out of mind the unique and significant appliances and adornments of the Craft .

As to the mosaic floor itself , with vs visible representatives and all the lore connected with it , by which its peculiar form and complication of parts were made to show

knowledge of celestial and terrestrial order involved in the construction of the Symbolic Lodge ( not the Lodge mom ) ; there is nothing left of it but the caricature of its surface , still found on the Master ' s carpet . While these things are so , it is no wonder that some or many should be dissatisfied with the actual appearance of

The Festival.

things in and about the Lodge , contrasted with the glowing picture of the greatness and splendour of the Institution set forth in our oratory and wherever mere " talk" is all that is supposed to be necessary . And considering everything ,

it is not strange that three different notions as to propriety should be entertained . First , that mole-eyed view which discerns no difference betwoen simplicity and shabby meanness , between elegance and finery , and prefers the latter ,

that is , coarse , ill-adapted and slovenly surroundings and modes . Second , that which sees nothing as ornamental and beautiful except redundancy and flash and novelty , aud being coupled with a desire for something more lively than

squalor and scantiness and discomfort , wishes to enjoy a raree show at tho least expenso for the timo being . In neither of these cases is any account taken of what is

worthy and valuable or what is appropriate and becoming in such an Institution as Ancient Craft Masonry . The third view is that of those who esteem the dignity and honour of the Masonic Institution and of its noble

Fraternity throughout the world , as demanding more because entitled to more consideration on the part of those who are admitted to enjoy its rights , li ghts and benefits , than can possibly be the case in any other fellowship ; and hence

desire to maintain intact the high estate of dignity , simplicity , elegance and beauty of the entire Masonic system , internal and external ; and so to manifest this in every way

as to testify their appreciation of its excellence . Which of these views should prevail let all worthy Masons judge , and act accordingly .

Notwithstanding the discouraging aspect of much which appears in the neglect and indifference of Lodges and members , and the constaut lapse from former Masonic ideas and conduct , and the loss of Masonic lore so much to

be deplored , there is one great source of encouragement continually growing and strengthening . This is , that every voice and utterance put forth , come from whom it may or from which side in any controversy , joins with all

others in concluding on the same urgent appeal to the Craft to maintain in every way , and by all means attainable , as the supreme object and end of Masonry , those sublime virtues , truth and uprightness , and more than all ,

the God-born principle of charity in all its forms , and especially in that most angelic , which is the keystone of the Masonic arch and the key of heaven . Nor are these vain and empt y utterances , for the works of the Craft in

all its organisations nnd rites exhibit to-day more efficient and wide-spread efforts , organised and unorganised , in furthering every scheme of benevolence and mercy , and show more liberality and generosity than ever before .

With such a motive power all things are possible , and we can well hope that advancement in the attainment of great ends will impel a movement towards securing those next in importance , and so the work of the Craft be crowned with glory as well as honour . — Voice of Masonry .

The Secretary's Minutes.

THE SECRETARY'S MINUTES .

fllHE Secretary of a Lodge is a high and important A Officer—for some purposes the most important in the Lodge . Although nominally the servant of the Lodge , he is often its master . Although the W . M . is supreme , and the

Secretary is the scribe , the latter not infrequentl y coutrols the action of tbe former . If the Master ho the mind , tho Secretary is the hand that wields the pen , which is the index of the mind . Frequently the Secretary is a Past

Master , and he should always be so . The duties of his office are so responsible that he requires all the knowledge which experience in the Master ' s chair can give . He cannot know too much , or be too expert . What tho Lodgo

is , depends to a considerable degree upon his action ; whether tbe Lodge shall be praised or blamed by the Grand Master , when he comes to make a Grand Visitation to tho Lodge , is determined very much by his adherence to the

usages and customs of tho Craft in engrossing the Minutes , aud in formulating tho action on various matters coming officially before tho Lodge . The most experienced and skilful Brother in the Lodge , who will accept the office , i 3 the one who should be elected Secretary .

We wish we had the considerate attention of every Secretary iu this jurisdiction , and in all jurisdictions , to the present article—not that we can say anything especially new with regard to their duties , but because wc believe wc can say much that is

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