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  • March 21, 1885
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  • PRINCESS'S.
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The Freemason's Chronicle, March 21, 1885: Page 10

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The Theatres.

THE THEATRES .

SAVOY . ONE of the dramatic memorabilia which will mark the season was presented at tho Savoy Theatre on tho evening of the 14 th inst ., when Messrs . Gilbert and Sullivan ' s now opera , the " Mikado , " saw the foot-lights . The dark places of the Embankment were alive with mnltitudinous carriages , all wending to the new Japan . Hours before the doors opened enthusiasts sat down at the pit and gallery

doora of the beleaguered citadel . Thirty years ago no London theatre conld have hoped to bring together snch a gathering of notables as were in attendance when Sir Arthur took np his baton . The densely crowded house was hushed when the overture commenced ; it was listened to without enthusiasm : its characteristic feature is an

adaptation , greatly enropeanised , of a native air . It concluded with applause , for the composer rather than for the music . The curtain rose upon a picture , real yet unreal—the very men and women of the land of Nipou , surely no inhabitants of our own prosaic isle . We turn to the bill of the play , half expecting to find that these

wonderful folk were really come in a body from the village at Knights , bridge . They were gronped in the qnaint attitudes in which we have seen them on tea-trays and tea-pots , and when they presently sing the sparkling opening chorus , we are startled to find that they can speak English . The scene represents the court-yard of Ko-Ko ' s

Palace at Titipu . The costumes have been supplied by Liberty and Co . for the ladies , and by Wilhelm for tho gentlemen , after native authorities , and for beauty of colour and richness of fabric nothing more beautiful has been seen . The most exquisite embroidery in silk and gold thread , upon stuffs that an Eastern Snltan

might wear on feast days . The pretty girls of the chorus looked fascinating in their clinging robes , dainty sandels , and coiffeurs of jet black hair , wonderfully braided and dressed in orthodox Nipou taste . The story told is simple enongh . Ko-Ko ( Mr . George Grossmith ) holds the office of Lord High Executioner for the

town of Titipu , on condition he performs its duties at least once in ten years . There has been a plethora of virtue ; his term approaches its end , and he must find a " subject" or kill himself as a substitute . It happens that Nanki-Poo ( Mr . Lely ) , son of the Mikado , has escaped from court to avoid marriage with the " elderly . ngly "

lady chosen for him by his papa . He loves the beautiful Yum-Yum ( Miss Leonora Braham ) , and in the disguise of a minstrel woos her . He sings a very effective " minstrel lay" refrain , closing with a Dibden-like " Yo heave ho . " In the chorus the assembled multitude of lords and ladies join -with a vigour of action rather suggestive of

the deck of the Pinafore . Nanki-Poo relates how he has fallen in love with the beautiful Yum-Yum , and having heard that Ko-Ko , to whom she has been betrothed , has , through a new law against flirting , incurred the penalty of death , hurries back in the hope of finding

her free . Pish-Tush , a noble lord ( Mr . Bovill ) , informs him of the state of things , and then enters Pooh-Bah ( Mr . Barrington ) , who on all the other ministers resigninghas embodied their various offices in his own person . He informs the lover that

" This very day , From school , Yum-Yum Will wend her way , To wed the Lord High Executioner . " The song and chorus following was bright and effective , with that

factastic touch of which Sullivan is so great a master . From the opening no doubt of tbe snccess of the work had suggested itself , bnt still a chief factor in a Savoy triumph had to appear , and the audience were impatiently awaiting its Grossmith , who now entered , disguised with the shaven crown , sandalled shoon and gold

embroidered robe of Ko-Ko , the Lord Hi « h Execntioner . Mr . Grossmith's crisp incisive style told admirably , and if the role had not the opportunities of II . M . First Lord , or of Wellington Wells , it was fitted to the special gift of its exponent , and delighted applause

followed bis first song . Presently enters Yum-Yum ( Miss Braham ) , Peep-Bo ( Miss Sybil Grey ) , and Pitti-Sing ( Miss J . Bond ) . Nothing more facinating or fantastically delightful has ever been given on the stage than the delicious trio ,

" Three little maids from school are we . Each of the ladies evidently enters into the grace of the situation ; they fairly carry away their audience . The trio was thrice re-demanded . It would be impossible to praise too highly the manner in which the intention of composer and author was rendered ; nor

have these talented ladies ever seemed more to enjoy the work assigned them . It would be worth a visit to the Savoy to hear this trio . How tho story proceeds aud Yum-Yum is united to her Prince , whilst Ko-Ko escapes the doom pronounced , it is needless to say . There is a pretty fanciful duet between the lovers , and

Mr . Grossmith has a good patter song , with which , perhaps , the audience expected a little political sauce piquante , but Mr . Gilbert discreetly leaves blanks for the names of the apologetic statesmen . As the ' ' elderly-ugly" fiancee of the Troubadour Prince , Miss Brandram has some of the finest numbers allotted her , and she

rendered them with artistic finish . In Act II . there is a merry duet between Mr . Grossmith and Mr . Lely . In short , Sullivan has never produced music brighter or more dramatic . That the story has nothing of Japan in it bnt the costumes is true enongh , while the dialogue might have beep put iuto the mouths of any of the

pleasantly preposterous forbears of these youngest heirs of the Bab gens . Pei haps the Savoyards prefer the mirror held up to reflect the nature familiar to the Strand . In any case it would be unreasonable to carp at a work which will produce smiles and laughter through hundreds of nights and matinees yet to come .

The Empire.

THE EMPIRE .

GLAD tilings for our " golden yonth . " At the magnificent templo in Leicester-square there is now offered a spectacle more brilliant and costly than the London stage has seen since the days of " Babil and Bijou . " Five thousand pounds have been spent in mounting the " Lady of the Locket . " The scene opens near the

Grand Piazza , Venice , with the Ducal Palace in tho distance . A youthful and well-favoured chorus represent the population . When we think of the choruses of earlier days—which wero composed of severe matrons and loan-shanked patriarchs—we cannot praise too highly the careful drilling through which those who now fill the stage

ninst have passed . Moreover , they sing with spirit , and more like living men and women , a characteristic at one time difficult to realise . The mnsic , though possessing no marked originality , is graceful and refined , and deserves a better " book " than the words supplied by-Mr . Hamilton . Both Miss St . John and Miss Edith Brandon were

evidently suffering from the East winds , and though both won deserved applause , will certainly sing with greater effect when the evil influence to which we have referred is dispersed . The story is simple enongh . Francesca , the lovely daughter of Baron Bombazine , is betrothed to Cosmo ( Mr . Coffin ) . She , of course , prefers

another ( Mr . Braoy ) , who loves her , though he has only beheld her picture in a locket . Cosmo is devoted to the lovely Stella , a ballad singer ( Miss Brandon ) . The story carries us through the hall of tho Doge's palace , a magnificent scene , crowded with brilliant costumes , moro or less archa "! ologically correct , but all picturesque , and

as rich as brocade and cloth of gold can make them . Here there is a very fantastic ballet of Turkish slave girls , dressed in the late popular dnal garment , and wearing yashmaks of light gauze , though why Almees shonld veil their faces we know not ; perhaps they were moro bashful in the fifteenth than in the nineteenth century . Fran .

cesca consents to elope with her adorer , and to this end she is to be assisted by the son of the Doge . Here Miss St . John has a very taking chansonette , " I ' m such a pretty girl , " and that is followed by a charming quintette , " When you want to elope , " given with much spirit by Miss Brandon , Miss St . John , Mr . Braoy , Mr . Coffin ,

aud Mr . Ryley . The political allusions on the first night produced a good deal of opposition from the audience . The Venetian ballet of the last act , in the moonlit gardens of the palace , is very graceful and fantastic , recalling the triumphs of the Alhambra . The ladies represent sea-nymphs , with the colouring of brilliant marine

creatures . A dancer from La Scala , Mdlle . Zanla , as the Adriatic , won great applause . She wore a curious costume of darkest blue below , and vapoury skirts of dark blue trenched with green . Mdlle . Sismnndi made a fascinating Neptune . Mr . Coffin ' s drinking song was the success of the evening j he sang it with a spirit that merited

tbe enthusiastic applause it evoked . A good part of tho dialogue might be curtailed with advantage ; it serves no purpose but to drag out the performance to an unreasonable length . Among the crowd on the stage there is a youthful black , who may be in training for a

future Othello , but is now draped most picturesquely in a leopard skin , and enters into the humour of the situation with such evident relish that one wishes tho author had found a few lines for him . We are greatly mistaken if he is not the Moorish slave whose dagger made us shudder in the " Claudian " prologue .

Gaiety.

GAIETY .

ON Thursday , 12 th inst ., "Mazeppa , " a new three act burlesque by F . C . Bnrnand , was produced at this house , and , judging from the applanse of a large audience , it may be regarded as a success ;—to our mind , deservedly so . The dialogue is full of humour , the music bright and taking , ancl the acting excellent throughout . In this latter respect Miss E . Farren , iu the part of Casimir , an

orphan Tartar boy , bears away the palm . From start to finish she has the weight of tbe piece on her shoulders , aud splendidly she carries her burden . Her unceasing vivacity and ability cannot be adequately described—these qualities must be seen to be appreciated . Edward Terry makes the most of a comparatively unimportant part ,

and the other characters are satisfactorily represented , by Messrs . Royce and Dallas , Misses P . Broughton and Clara Jecks—the latter of whom deserves an especial word of praise for her artistic rendering of the small part of a Tartar conspirator . At the conclusion of the performance both author and actors received a hearty call before the curtain .

Princess's.

PRINCESS'S .

OF all farewells we have sorrowfnlly had reference made to , none havo been received with more regret than the announcement that on the 28 th of this month tho curtain is to fall on " Junius" for the last time . Tho magnificent scenery , the poetic elevation of the dialogue , the admirable interpretation by tho leading artists , to say

nothing of Mr . Barrett's own perfect rendering of a classic ideal , have not ensured the success the lessee had a right to expect . "The Silver King" will doubtless bo welcomed back , with all its old popularity , but for thoso who love the loftier heights of tragedy "Junius" will remain a recollection of unfading delight .

Court.

COURT .

EMILE ANGIER is to give place to Mr . Pinero , and tho hero of the Denhams , in the original made so grand a tradition by Mons . Got , and translated for us by Mr . Clayton with no leas tenderness , earnestness , and manly dignity , is to pass away . " The Denhams " is a play full of strong interest , and ah tho Court it has been

admirably staged , except in one instance , where the temptation to bid for cheap applanse forced one of tho personages grotesquely ont of drawing . It is surely well that " Die lustige person " say no more than is put down to him—or her .

“The Freemason's Chronicle: 1885-03-21, Page 10” Masonic Periodicals Online, Library and Museum of Freemasonry, 5 Aug. 2025, django:8000/periodicals/fcn/issues/fcn_21031885/page/10/.
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Title Category Page
CHRISTIANITY AND FREEMASONRY. Article 1
INITIATION OF PRINCE ALBERT VICTOR OF WALES. Article 2
FROM THE DAILY TELEGRAPH, 17TH MARCH 1885. Article 2
THE UNRECORDED YEARS OF THE CRAFT. Article 3
INSTALLATION MEETINGS, &c. Article 4
LODGE OF TRANQUILLITY, No. 185. Article 4
PORTSMOUTH LODGE, No. 487. Article 4
ERME LODGE, No. 1091. Article 4
JORDAN LODGE, No. 1402 Article 4
THE GREAT CITY LODGE, No. 1426. Article 5
HONOR OAK LODGE. No. 1986. Article 5
ABBEY LODGE, No. 2030. Article 5
LODGE LA FRANCE, No. 2060. Article 6
ECCLESTON LODGE, No. 1624. Article 6
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CORRESPONDENCE. Article 9
THE QUARTERLY COMMUNICATION Article 9
THE THEATRES. Article 10
THE EMPIRE. Article 10
GAIETY. Article 10
PRINCESS'S. Article 10
COURT. Article 10
CONSECRATION OF THE MONTAGUE GUEST CHAPTER, No. 1900. Article 11
DIARY FOR THE WEEK. Article 12
REVIEWS. Article 13
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

The Theatres.

THE THEATRES .

SAVOY . ONE of the dramatic memorabilia which will mark the season was presented at tho Savoy Theatre on tho evening of the 14 th inst ., when Messrs . Gilbert and Sullivan ' s now opera , the " Mikado , " saw the foot-lights . The dark places of the Embankment were alive with mnltitudinous carriages , all wending to the new Japan . Hours before the doors opened enthusiasts sat down at the pit and gallery

doora of the beleaguered citadel . Thirty years ago no London theatre conld have hoped to bring together snch a gathering of notables as were in attendance when Sir Arthur took np his baton . The densely crowded house was hushed when the overture commenced ; it was listened to without enthusiasm : its characteristic feature is an

adaptation , greatly enropeanised , of a native air . It concluded with applause , for the composer rather than for the music . The curtain rose upon a picture , real yet unreal—the very men and women of the land of Nipou , surely no inhabitants of our own prosaic isle . We turn to the bill of the play , half expecting to find that these

wonderful folk were really come in a body from the village at Knights , bridge . They were gronped in the qnaint attitudes in which we have seen them on tea-trays and tea-pots , and when they presently sing the sparkling opening chorus , we are startled to find that they can speak English . The scene represents the court-yard of Ko-Ko ' s

Palace at Titipu . The costumes have been supplied by Liberty and Co . for the ladies , and by Wilhelm for tho gentlemen , after native authorities , and for beauty of colour and richness of fabric nothing more beautiful has been seen . The most exquisite embroidery in silk and gold thread , upon stuffs that an Eastern Snltan

might wear on feast days . The pretty girls of the chorus looked fascinating in their clinging robes , dainty sandels , and coiffeurs of jet black hair , wonderfully braided and dressed in orthodox Nipou taste . The story told is simple enongh . Ko-Ko ( Mr . George Grossmith ) holds the office of Lord High Executioner for the

town of Titipu , on condition he performs its duties at least once in ten years . There has been a plethora of virtue ; his term approaches its end , and he must find a " subject" or kill himself as a substitute . It happens that Nanki-Poo ( Mr . Lely ) , son of the Mikado , has escaped from court to avoid marriage with the " elderly . ngly "

lady chosen for him by his papa . He loves the beautiful Yum-Yum ( Miss Leonora Braham ) , and in the disguise of a minstrel woos her . He sings a very effective " minstrel lay" refrain , closing with a Dibden-like " Yo heave ho . " In the chorus the assembled multitude of lords and ladies join -with a vigour of action rather suggestive of

the deck of the Pinafore . Nanki-Poo relates how he has fallen in love with the beautiful Yum-Yum , and having heard that Ko-Ko , to whom she has been betrothed , has , through a new law against flirting , incurred the penalty of death , hurries back in the hope of finding

her free . Pish-Tush , a noble lord ( Mr . Bovill ) , informs him of the state of things , and then enters Pooh-Bah ( Mr . Barrington ) , who on all the other ministers resigninghas embodied their various offices in his own person . He informs the lover that

" This very day , From school , Yum-Yum Will wend her way , To wed the Lord High Executioner . " The song and chorus following was bright and effective , with that

factastic touch of which Sullivan is so great a master . From the opening no doubt of tbe snccess of the work had suggested itself , bnt still a chief factor in a Savoy triumph had to appear , and the audience were impatiently awaiting its Grossmith , who now entered , disguised with the shaven crown , sandalled shoon and gold

embroidered robe of Ko-Ko , the Lord Hi « h Execntioner . Mr . Grossmith's crisp incisive style told admirably , and if the role had not the opportunities of II . M . First Lord , or of Wellington Wells , it was fitted to the special gift of its exponent , and delighted applause

followed bis first song . Presently enters Yum-Yum ( Miss Braham ) , Peep-Bo ( Miss Sybil Grey ) , and Pitti-Sing ( Miss J . Bond ) . Nothing more facinating or fantastically delightful has ever been given on the stage than the delicious trio ,

" Three little maids from school are we . Each of the ladies evidently enters into the grace of the situation ; they fairly carry away their audience . The trio was thrice re-demanded . It would be impossible to praise too highly the manner in which the intention of composer and author was rendered ; nor

have these talented ladies ever seemed more to enjoy the work assigned them . It would be worth a visit to the Savoy to hear this trio . How tho story proceeds aud Yum-Yum is united to her Prince , whilst Ko-Ko escapes the doom pronounced , it is needless to say . There is a pretty fanciful duet between the lovers , and

Mr . Grossmith has a good patter song , with which , perhaps , the audience expected a little political sauce piquante , but Mr . Gilbert discreetly leaves blanks for the names of the apologetic statesmen . As the ' ' elderly-ugly" fiancee of the Troubadour Prince , Miss Brandram has some of the finest numbers allotted her , and she

rendered them with artistic finish . In Act II . there is a merry duet between Mr . Grossmith and Mr . Lely . In short , Sullivan has never produced music brighter or more dramatic . That the story has nothing of Japan in it bnt the costumes is true enongh , while the dialogue might have beep put iuto the mouths of any of the

pleasantly preposterous forbears of these youngest heirs of the Bab gens . Pei haps the Savoyards prefer the mirror held up to reflect the nature familiar to the Strand . In any case it would be unreasonable to carp at a work which will produce smiles and laughter through hundreds of nights and matinees yet to come .

The Empire.

THE EMPIRE .

GLAD tilings for our " golden yonth . " At the magnificent templo in Leicester-square there is now offered a spectacle more brilliant and costly than the London stage has seen since the days of " Babil and Bijou . " Five thousand pounds have been spent in mounting the " Lady of the Locket . " The scene opens near the

Grand Piazza , Venice , with the Ducal Palace in tho distance . A youthful and well-favoured chorus represent the population . When we think of the choruses of earlier days—which wero composed of severe matrons and loan-shanked patriarchs—we cannot praise too highly the careful drilling through which those who now fill the stage

ninst have passed . Moreover , they sing with spirit , and more like living men and women , a characteristic at one time difficult to realise . The mnsic , though possessing no marked originality , is graceful and refined , and deserves a better " book " than the words supplied by-Mr . Hamilton . Both Miss St . John and Miss Edith Brandon were

evidently suffering from the East winds , and though both won deserved applause , will certainly sing with greater effect when the evil influence to which we have referred is dispersed . The story is simple enongh . Francesca , the lovely daughter of Baron Bombazine , is betrothed to Cosmo ( Mr . Coffin ) . She , of course , prefers

another ( Mr . Braoy ) , who loves her , though he has only beheld her picture in a locket . Cosmo is devoted to the lovely Stella , a ballad singer ( Miss Brandon ) . The story carries us through the hall of tho Doge's palace , a magnificent scene , crowded with brilliant costumes , moro or less archa "! ologically correct , but all picturesque , and

as rich as brocade and cloth of gold can make them . Here there is a very fantastic ballet of Turkish slave girls , dressed in the late popular dnal garment , and wearing yashmaks of light gauze , though why Almees shonld veil their faces we know not ; perhaps they were moro bashful in the fifteenth than in the nineteenth century . Fran .

cesca consents to elope with her adorer , and to this end she is to be assisted by the son of the Doge . Here Miss St . John has a very taking chansonette , " I ' m such a pretty girl , " and that is followed by a charming quintette , " When you want to elope , " given with much spirit by Miss Brandon , Miss St . John , Mr . Braoy , Mr . Coffin ,

aud Mr . Ryley . The political allusions on the first night produced a good deal of opposition from the audience . The Venetian ballet of the last act , in the moonlit gardens of the palace , is very graceful and fantastic , recalling the triumphs of the Alhambra . The ladies represent sea-nymphs , with the colouring of brilliant marine

creatures . A dancer from La Scala , Mdlle . Zanla , as the Adriatic , won great applause . She wore a curious costume of darkest blue below , and vapoury skirts of dark blue trenched with green . Mdlle . Sismnndi made a fascinating Neptune . Mr . Coffin ' s drinking song was the success of the evening j he sang it with a spirit that merited

tbe enthusiastic applause it evoked . A good part of tho dialogue might be curtailed with advantage ; it serves no purpose but to drag out the performance to an unreasonable length . Among the crowd on the stage there is a youthful black , who may be in training for a

future Othello , but is now draped most picturesquely in a leopard skin , and enters into the humour of the situation with such evident relish that one wishes tho author had found a few lines for him . We are greatly mistaken if he is not the Moorish slave whose dagger made us shudder in the " Claudian " prologue .

Gaiety.

GAIETY .

ON Thursday , 12 th inst ., "Mazeppa , " a new three act burlesque by F . C . Bnrnand , was produced at this house , and , judging from the applanse of a large audience , it may be regarded as a success ;—to our mind , deservedly so . The dialogue is full of humour , the music bright and taking , ancl the acting excellent throughout . In this latter respect Miss E . Farren , iu the part of Casimir , an

orphan Tartar boy , bears away the palm . From start to finish she has the weight of tbe piece on her shoulders , aud splendidly she carries her burden . Her unceasing vivacity and ability cannot be adequately described—these qualities must be seen to be appreciated . Edward Terry makes the most of a comparatively unimportant part ,

and the other characters are satisfactorily represented , by Messrs . Royce and Dallas , Misses P . Broughton and Clara Jecks—the latter of whom deserves an especial word of praise for her artistic rendering of the small part of a Tartar conspirator . At the conclusion of the performance both author and actors received a hearty call before the curtain .

Princess's.

PRINCESS'S .

OF all farewells we have sorrowfnlly had reference made to , none havo been received with more regret than the announcement that on the 28 th of this month tho curtain is to fall on " Junius" for the last time . Tho magnificent scenery , the poetic elevation of the dialogue , the admirable interpretation by tho leading artists , to say

nothing of Mr . Barrett's own perfect rendering of a classic ideal , have not ensured the success the lessee had a right to expect . "The Silver King" will doubtless bo welcomed back , with all its old popularity , but for thoso who love the loftier heights of tragedy "Junius" will remain a recollection of unfading delight .

Court.

COURT .

EMILE ANGIER is to give place to Mr . Pinero , and tho hero of the Denhams , in the original made so grand a tradition by Mons . Got , and translated for us by Mr . Clayton with no leas tenderness , earnestness , and manly dignity , is to pass away . " The Denhams " is a play full of strong interest , and ah tho Court it has been

admirably staged , except in one instance , where the temptation to bid for cheap applanse forced one of tho personages grotesquely ont of drawing . It is surely well that " Die lustige person " say no more than is put down to him—or her .

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